Genesis 2.0 |
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Christian Frei and Maxim Arbugaev |
Switzerland / 2018 / 1:53:00 |
On the remote New Siberian Islands in the Arctic Ocean, hunters are
searching for the tusks of extinct mammoths. There is a gold rush
fever in the air. The price for white gold has never been so high. The
thawing permafrost not only releases precious ivory. The tusk hunters
find a surprisingly well-preserved mammoth carcass. Such finds are
magnets for high-tech genetic scientists. They want to bring the
extinct woolly mammoth back to life à la “Jurassic Park”. Resurrecting
the mammoth is a first manifestation of the next great technological
revolution. Man becomes Creator. Genesis two point zero.
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A Moon for My Father |
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Manila Akbari and Douglas White |
Great Britain / 2019 / 1:25:00 |
Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.
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Almost Nothing |
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Anna De Manincor / Zimmerfrei |
Italy, France, Belgium / 2018 / 1:17:00 |
When we think about science often we focus on the big discoveries: the Higgs Boson! Gravitational waves! Sometimes maybe we forget about what happens in between: there’s a bunch of people doing the systematic work. At the border between Switzerland and France there's a citadel called CERN, a global community of thousands of people working together towards a common objective. How can they work for years - sometimes decades - as a unique and enormous brainpower? What are they looking for ?
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Srbenka |
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Nebojša Slijepčević |
Croatia / 2018 / 1:12:00 |
During the winter of 1991, Croatia defended itself against the
military aggression of neighbouring Serbia. Among the innocent victims
of this conflict was Aleksandra Zec, a teenager of Serbian origin, who
was hatefully lynched in Zagreb. A generation later, while in Croatian
schools, Serbian pupils continue to be taken for the “enemies” of
yesterday, Oliver Frljić adapts “the Zec affair” at the theatre, with
Nina, a Serbian, born in 2001, in the title role. In front of Nebojša
Slijepčević’s camera, the troupe’s rehearsals turn into collective
psychotherapy, interspersed by shots of an empty stage haunted by
personal accounts that build up in voiceover. Through skilful
metatheatre that involves both the troupe’s acting and sense of self
as they work on their own memories, distanced by the theatrical
device, Srbenka delineates a public space likely to break the cycle of
vengeance. Slijepčević’s film also constitutes a powerful reflection
on one of the possible functions of art: to dry out, metre by metre,
the cesspool of hatred fed by the entrepreneurs of ethnic cleansing
who continue to act today.
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To the Living |
À l'usage des vivants |
Pauline Fonsny |
Belgium / 2019 / 0:26:
46 |
In 1998, Semira Adamu, a 20 year-old, so-called “illegal”, Nigerian immigrant on Belgian soil, was smothered to death by a police cushion as they attempted to evict her. 20 years later, in a combined female war cry, two women tell her story. Through their tales, they highlight the reality of detention centers intended for migrant people, the conditions of such imprisonment, the suffering of detainees, the abuse of guards and policemen.
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Amelina |
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Rubén Guzmán |
Argentina / 2018 / 0:25:30 |
Amelina "Coca" San Martín grew up in a remote Patagonian location inside the volcanic caldera of an extinct supervolcano, rich in archaeological and paleontological remains. Her humble life passes by amidst her world-famous archaeological collection, her cats, her fish and her beloved "choikes" (rheas).
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By the Name of Tania |
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Mary Jimenez and Bénédicte Liénad |
Belgium
(Peru) / 2019 / 1:25:00 |
Based upon real testimonies, this hybrid film tells the story of
Tania, a teenage girl who is forced into prostitution in the gold
mining regions of Peru.
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The Sleepers |
Los Durmientes |
Alejandro Ramírez Collad |
Mexico / 2018 / 00:20:35 |
In a shelter on the southern border of Mexico, Central American migrants recover their strength to continue their journey to the United States.
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A Dream of Spring |
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Shih Han Tsao |
Taiwan / 2017 / 00:21:49 |
In 1949, the Chinese Civil War forced many teenagers to flee to Taiwan
with the nationalist KMT. They never returned home and many of the men
never got married. Today, the veterans' tragic stories fade into
silence as each of them passes away, one by one.
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Director Statement:
Thanks for the jury and International Festival Signs of the Night. I'm glad to get the main award in the short film section. My film "A Dream Of Spring" is about a veteran who face the loneliness and death, after the war. They were forced to leave family in the civil war, and I hope their story will not be forgoten too easily.
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Wildcat |
Fauvve |
Jeremy Comte |
Canada / 2018 / 0:16:0
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Set in a surface mine, two boys sink into a seemingly innocent power
game with Mother Nature as the sole observer.
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Umbra |
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Florian Fischer and Johannes Krell |
Germany / 2019 / 0:20:00 |
The film deals with rare and common optical phenomena that occur in
nature. These phenomena evoke familiar images such as shadows or
reflections on a water surface; but also unusual ones like the
“Brocken spectre” or the pinhole effect during a solar eclipse. These
ancient and natural projections can be considered as pre-cultural and
independent of any apparatus. They occurred even before mankind and
are united by their intangible, ephemeral presence. In their
immateriality and fragility, they are precursors of the cinema image.
UMBRA develops a visual dialogue between phenomenon and apparatus,
archetype and image, self and self-perception.
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Patision Avenue |
Leoforos Patision |
Thanasis Neofotistos |
Greece /
2018 / 00:12:49 |
On her way to audition for a role as Shakespeare's Viola, Yannis's mum
discovers that her son has been left home alone. Through a series of
phone calls, she fights to balance the most important roles of her
life, whilst walking in the most controversial area of Athens,
Patision Avenue. |
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Director Statement :
This film is a letter to my mother and all the mothers out there, and I am so thrilled that it communicated with the audience of Bangkok!
I am honored and happy to receive the Signs Award! |
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Viral Kids |
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Arjanmar Rebeta |
Phillipines / 2019 / 0:18:08 |
Viral Kids is about the trending stories of five different street
children who have their own past and dreams but being hindered and
utilized by an unknown force behind the online scheme. |
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Director Statement :
Children need protection. They are one of the weakest parts of our society. They are prone to abuse and manipulation. The Philippine legislation is proposing to lower the age of criminal responsibility from 15 to 9 or 12 years old. We are opposing this as it will put
children in danger. With the "SPECIAL MENTION for the SIGNS AWARD" given to our short film “VIRAL KIDS”, we are grateful as this would call more attention from people to protect the rights of the children. We are happy that our humble short film would give impact to the life of the “little” voiceless population.
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The Source |
La Source |
William S. Touito |
France / 2018 / 00:17:10 |
In a popular neighborhood in the Paris suburbs, hours and days
following an attack committed in Paris by Brahim, a young man from the
hood. His family and friends are shocked and wonder...
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Realms |
Valtakunnat |
Patrik Söderlund |
Finland / 2019 / 0:20:28 |
A voyage through time, evolution and the kingdoms of life towards the
natural destruction wrought upon the planet by the human species.
Exploring geological epochs and kingdoms of life, Realms voyages
through deep time from the primeval ocean to a post-human future. The
film employs visual storytelling, seeking to replace the
anthropocentric worldview with greater attention to the complex
interrelationships and dependencies between organisms, and between
animate and inanimate nature.
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Meteorite |
Meteorito |
Mauricio Sáe |
Mexico / 2018 / 00:14:56 |
Bird men suffer mysterious falls in the search for where the sun
rises. An altered reality through rites that converge in one
objective: die to generate life.
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Heaven-Hell |
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Dirk de Bruy |
Australia / 2018 / 0:22:24 |
A technological diary/found footage film scribed somewhere between
outer and inner space. What future does technology extend our vision
into? An incredible journey inside and outside our flesh. An
apparition proclaimed by Walter Cronkite, America's benevolent voice
of authority that colonized the 20th Century. Thoughts caught between
heaven and hell. Within these technological shifts our bodies atrophy
into lumps of meat, tended and seared.
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Swatted |
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Ismaël Chandoutis |
France / 2018 / 00:19:59
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Online players talk about their difficulties in escaping "swatting", a
cyber-harassment phenomenon that is sometimes fatal and threatens them
whenever they play. The action takes shape through youtube videos and
wireframe images from a video game.
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Jury Statement:
A topic of an almost unbelievable and unreal game of cyber cave dwellers, in which unsuspected online gamers are tricked using a fake 911 call, is revealed to the audience using a design that evokes an unbelievable an unreal atmosphere of the online gaming world. The artist’s effort resulted in the effective wakeup call for all those who are busy immersing themselves in the unreal world. |
String Figure of Time |
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Kieko Ikehata |
Japan / 2018 / 0:13:30 |
This work shows the photos of four generations of women: The director
herself, and her grandmother, mother, and daughter.
Contained in one household's album were the memories of women from
many generations - women who have passed, women who were newly born,
women who became adults, and women who grew to become old. The times
they lived were different, yet they were all someone's daughter and
someone's mother.
When we take and connect these moments that they share, the concept of
time unravels, and takes on a new shape. These stories do not belong
to anyone, yet they were all mine at the same time. |
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Director Statement :
Thank you very much to the judges! It is a great honor, and will be encouraging for my future work production! I used my childhood video (taken by my mother) and my daughter's video(taken by me) to make works. My own birth to a daughter also makes more sense in making works. In this work, my mother, me and my daughter are mixed. It does not matter which person's memory is. Rather, I want you to feel some kind of joy and awe in continuing endlessly while mixing. Then, as a motivation for the work, I wanted to have my grandmother meet my daughter (the grandmother died before met my daughter). If I could change the time axis in the album, would my grandmother and my daughter meet? I made this while thinking vaguely. |
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